New featured Interview:
Jessi MacEachern in conversation with Sarah Burgoyne
A brand new interview exploring MacEachern’s newest collection, Cut Side Down (Invisible Publishing, 2025) is available now in our Essays & Interviews section here. It’s a beautiful & badass follow up to their 2022 conversation (available here) exploring MacEachern’s A Number of Stunning Attacks (Invisible Publishing, 2021).
Well, aren’t we spoiled?!
Projects
View the poetry, prose, games, visual art, and more published as part of Canthius Journal’s 2021 Pleasures project.
There are some elements of life that feel unconnected to poetry (taxes, weeknight dinners, exercise routines), until my being a poet becomes the inevitable excuse for why I’m doing them badly or, at least, a little strangely. I’m becoming more comfortable identifying as a poet, but I’m not entirely sure that is a good thing, for myself or for poetry, ha! But it’s a fact that every notebook I own has poetry in its pages. The line, the enjambment, the concentrated image: that’s my natural syntax.
I pushed it to the limit a lot of the time. I have never been the type to recast things in an ominous light. I wanted to keep that [feeling] in the book—that we can ignore things and still feel the pressures of it.
I don’t necessarily think of the poem as being imposing. I write in the tradition of courage.
Zehra Naqvi’s debut collection The Knot of My Tongue explores personal and generational calamities: domestic violence, a family’s displacement during the Partition, the Battle of Karbala. Writing about or within unspeakable violence is no simple task for a poet.
Thyme Travellers: An Anthology of Palestinian Speculative Fiction collects fourteen stories by new and established writers from the Palestinian diaspora. Edited by Sonia Sulaiman, these stories imagine new worlds and confront the reality of our own. Individually, these stories are thought-provoking and sincere. Together, they beautifully explore Palestinian identity and resistance, and offer readers a chance to reflect upon the present moment and what we want the future to look like.
The Coin follows a wealthy Palestinian woman who takes on a position as a teacher at an all-boys school in New York City. She is tastefully extravagant, chaotically in crisis, not a particularly good or moral person, and one of the most fascinating characters to emerge in contemporary fiction.