Read the winning Poem of the 2026 PUMA!
for the 2026 Priscila Uppal Memorial Award for Poetry
We here at Canthius are so so so pleased to share the poem “Earthing” by Nadja Lubiw-Hazard, the winner of the 2026 Priscila Uppal Memorial Award for poetry! You can read Lubiw-Hazard’s breath-taking and heart-wrenching poem here.
And while you’re reading, don’t forget to check out the poignant and thought-provoking honorable mention for this year’s contest, “Acupuncture Point SI 19” by Vinita Agrawal here.
And stay tuned to this page for loads more creative work, reviews, and announcements about feminism and literary arts in Canada!
Projects
View the poetry, prose, games, visual art, and more published as part of Canthius Journal’s 2021 Pleasures project.
The first time I masturbated I was thirty years old. Placing my panties just above my knees while gingerly feeling myself, I mustered all the strength I had to be at peace with the act and let my sensations take over. It remains one of the most daring and transgressive things I have ever done.
Hot ancient hum on my bare
hands at harvesting, taught me to ask
permission. May I take some? May I take more?
Thank you.
drag that’s a queer art form, drag with its deeply transgender history, drag that uses gender as its palette and canvas. that drag.
There are some elements of life that feel unconnected to poetry (taxes, weeknight dinners, exercise routines), until my being a poet becomes the inevitable excuse for why I’m doing them badly or, at least, a little strangely. I’m becoming more comfortable identifying as a poet, but I’m not entirely sure that is a good thing, for myself or for poetry, ha! But it’s a fact that every notebook I own has poetry in its pages. The line, the enjambment, the concentrated image: that’s my natural syntax.
I pushed it to the limit a lot of the time. I have never been the type to recast things in an ominous light. I wanted to keep that [feeling] in the book—that we can ignore things and still feel the pressures of it.
I don’t necessarily think of the poem as being imposing. I write in the tradition of courage.
Zehra Naqvi’s debut collection The Knot of My Tongue explores personal and generational calamities: domestic violence, a family’s displacement during the Partition, the Battle of Karbala. Writing about or within unspeakable violence is no simple task for a poet.
Thyme Travellers: An Anthology of Palestinian Speculative Fiction collects fourteen stories by new and established writers from the Palestinian diaspora. Edited by Sonia Sulaiman, these stories imagine new worlds and confront the reality of our own. Individually, these stories are thought-provoking and sincere. Together, they beautifully explore Palestinian identity and resistance, and offer readers a chance to reflect upon the present moment and what we want the future to look like.
The Coin follows a wealthy Palestinian woman who takes on a position as a teacher at an all-boys school in New York City. She is tastefully extravagant, chaotically in crisis, not a particularly good or moral person, and one of the most fascinating characters to emerge in contemporary fiction.